Bridge at Kedlington Hall photo: Malcolm Aslett











The series of photos tilted a little upwards to the right so I kept this in and retained
the parallelogram shape. The fogging at the edges is probably unnecessary but I gave it a try.
You start to view the world the way a cinematographer must, though with joiners
you have the flexibility to go on adding, up, down or sideways, as long as you see
something interesting to take.