I would describe this as a 'conceit' photograph. What would you see if you could look over both sides of the bridge at the same time as well as in front of you? Well, as a whole it doesn't actually make sense. You discover once you do it that there is no right way to show it. Put it on it's side and you're turning your head to make sense of left and right. I wonder if it would make sense to have it rotate 360 degrees in a flash program over ten or fifteen seconds? There it is.

It was done in my 'broken frames period' so the task of joining the handrail verticals was partially ignored with a few black fills.